![]() ![]() But apart from that, this is my research background. As a researcher I'm a specialize in museography dot 4.0 which is what we've called museography 4.0 is coming for the fourth industrial revolution and when we use for example mix reality artificial intelligence transmit yet cetera to have a more natural speed nor natural experience within the museum with the digital data. I am Professor of the you know Polytechnical University of Valencia in Spain, and I am researcher in the Institute of Design and Manufacturing. And it's important for us to have what is happening in those countries. I think Latin America and Spanish museums need to be shown. Thank you contact for a also chairing this session with me and Eric for presenting us and I'm very happy to be at this MCL program and half collaborate to create this Latin American Day, which is important. And I've been at those cents for several years there and now through remit where we have MANY members from from South America, we we have a closer connection that Anna will talk more about about immaturely return on Yeah. Not just Argentinean museums, but museums from all Latin America. They're a very interesting training program for museum professionals. My connection or my relationship with museums in America has been mainly through the deeper foundation, that theory theory and practice for the arts, based in winter ciders. And then connected also with with remix this network of museums and digital strategy together with Anna and we will talk a little bit more about it later. For example, I'm the co director of the post graduate on digital strategy for cultural organizations that we run together between the National Museum and the university. Now we're more and more dedicated to those sensei with several universities. ![]() And until 2019, I was head of strategy, innovation and digital transformation in the National Museum of Art of Catalonia also in Barcelona. ![]() I was for five years head of digital projects at the Picasso Museum in Barcelona. Smalland museum. professional#I've been working my whole professional life in in culture with cultural cultural organizations. And rather than me introducing I'm just going to ask the Khan chat to introduce and present herself first and and then she'll introduce Anna. What is better this everyone? I'm here today with concerto that and Anna Marty and the topic of this session is small and medium museums thriving on digital. User ( 14:30) Nice little museum User ( 21:26) Många fina utställningsdelar.Good afternoon witness. There are collection works as well as frequent exhibitions managed by a great exhibition director Bertil Backström. Glass artworks and decorative artefacts are so creative that you feel like you are in wonderland. User ( 21:10) The glass and the ethnography museum tells us a lot about the society and glass art. I guess if you like glass is ok? User ( 16:18) Nice museum User ( 12:55) Mycket att se. User ( 14:33) Nice objects (if you like glass) but could be more organized and informative User ( 15:50) It's a glass museum. It then took us about two hours to see what we wanted to see. The staff was very helpful in explaining the place and the exhibitions to us. ![]() The exhibition about Småland's history is interesting as well, but might not justify a visit if you're not particularly interested in the subject. If you are into glassware and glass art, it is certainly worth a visit. It offers a well-made exhibition about the glass making history of Småland, past and present. What Other Say: User ( 23:21) This museum is a bit peculiar - you should really have a look at the information material about its exhibitions before deciding to enter it. ![]()
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